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Wolf Moon, 1986 & Blood Moon, 2025

Daniel Nathan Terry

__________

Wolf Moon, 1986

There is little
               a lonely boy will refuse. Little
he’ll protect. Almost nothing
               he’ll turn down. Kisses alone

he’ll withhold. Only girls
               kiss boys. I knew
why other boys turned my head
               each time I tried

to show them love. Wasn’t gay
               to use me again
and again for release. They’d come
               out with me

on Saturday nights, drink
               just enough beer to blame it
and me for their fire as they
               branded me queer. But you—

you asked Do you kiss?
               and stopped my hand mid-thigh
on your jeans. I never dreamed
               another boy’s lips

that January night
               the first time
I was loved.

___________

Blood Moon, 2025
March 14th

Sleep? What sleep will come now
            is troubled and brief. The night

is too bright and the light is wrong.
            White-throated sparrows tremble

their whistles into the rising wind. I have fed
            them so much seed since November 5th

(oh, generosity of spirit may save us, if not
            will the blade      blade      blade?)

and left the brown oak leaves beneath
their trees for the worms and moths

that give them life. They spend their frantic days
scratching      scratching      scratching

for fewer and fewer pupae each winter in the dark
            and poisoned soil. The night is harrowed

by songs of waking and the moon lies bloodied
by Earth’s relentless penumbra. Tomorrow

is the Ides of March, but no good man
            is sharpening his knife and no eyes

but yours and mine are on the sparrows
            as they fall       fall      fall.

__________

Daniel Nathan Terry is the author of 3 books of poetry: City of Starlings (Sibling Rivalry Press), Waxwings (Lethe Press), and Capturing the Dead (NFSPS Press) which also won The Stevens Prize. His poems and short stories have appeared in several journals, including Cimmaron Review, The Greensboro Review, and New South, and have appeared in the LGBTQ+ anthologies This Assignment Is So Gay and Collective Brightness.

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